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Kuleshov on Film: Writings by Lev Kuleshov Lev Vladimirovich Kuleshov, Ronald Levaco
Publisher: Univ of California Pr

In this classic interview with Alfred Hitchcock he demonstrates the Kuleshov Effect. He also started moving the cameras. Sergei Eisenstein and Vsevolod Pudovkin are his students and had develop his theories of montage editing. Since 1943, Kuleshov was serving as In 1923, Sergei Eisenstein began his career in film theory, by writing 'The Montage of Attractions for LEF (Left Front of the Arts) Journal. Lev Kuleshov The founder of the world's first film school and he is very first film theorist for Soviet Montage. Lev Kuleshov was an early Soviet director, possibly one of the first film theorists of montage, who worked prior to Eisenstein's appearance in film. Around 1918, Lev Kuleshov edited a short film in which shots of actor Ivan Mozzhukhin, looking into the camera, were intercutted with fragments of various objects. This is a film editing montage effect named after Russian filmmaker Lev Kuleshov who first illustrated it in the 1910s and 1920s. « newer: The URI to TrackBack this entry is: http://keiran.blogsome.com/2006/09/04/kuleshov-usfilm/trackback/. There was a lot more action in this film and he followed the action throughout the story. Kuleshov believed that the essence of the cinema was editing, the juxtaposition of one shot with another. To show this example, he created what has Alongside his theoretical work, Lev Kuleshov was an active director of feature-length films until 1943. -Lev Kuleshov (from "The Principles of Montage" in The Practice of Film Direction, 1935). Source: http://www.imdb.com/name/nm0474487/bio : accessed on 12/9/2012.